Monday, May 23, 2005

another reason why bill simmons is my favorite columnist at espn: he shares my perspective on basketball, and he's funny.

"Nash's greatest skill as a point guard is the way he orchestrates that pick-and-roll -- he can turn the corner, dribble into the paint, then find the rolling big man at precisely the right time 99 times out of 100. In Dallas, he was running that play with Nowitzki, someone whose natural inclination is to step backwards so he can shoot an open three. (You never see Nowitzki roll the basket because he's clumsy and he doesn't like getting hit.) In Phoenix, Nash is running that play with (and I'm using caps here to emphasize this point) THE GREATEST ROLLER IN THE HISTORY OF PICK-AND-ROLLS: Amare Stoudemire, who grabbed the title from Karl Malone and Shawn Kemp last November. No matter where you throw him the ball, Amare can catch it at full-steam and somehow get to the rim. Plus, Phoenix's three-point shooters are better than anyone Nash ever played with, and all of them can run the floor with him. And if that's not enough, they stopped calling moving picks this season unless you happen to be a 7-foot-6 guy from China."


"During the 2002 season, Jason Kidd had a similar effect on the Nets � taught them how to win, made them collectively unselfish, brought the best out of some flawed teammates, even took over games when it mattered. Not only did Kidd have a career year, they went from 26 wins to 52 wins and ended up making the NBA Finals, even though his supporting cast was far inferior to Nash's supporting cast this season. Would you rather play with Stoudemire, Marion, Johnson, Q and Jimmy Jackson, or with K-Mart, Van Horn, Kittles, Todd MacCullough and a young Richard Jefferson? Exactly. Anyway, Kidd finished second in the MVP balloting to Tim Duncan that season, who was a stronger candidate than anyone from this year's crop. It's just that I don't remember the media fawning over Jason Kidd in 2002 like they fawned over Steve Nash in 2005. Draw your own conclusions.

I didn't make this point clearly enough: In a normal season, Nash wouldn't have won the MVP. But this was like one of those Oscar years where there isn't one standout picture, so "Shakespeare In Love" ends up winning the award. Every candidate was flawed in some way. And since that was the case, it was easy for some voters to say, "Screw it, I'm voting for the white guy with the floppy hair!"

So that's that."
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